A book by ILL-STUDIO and GENERAL_INDEX, in partnership with SLAM JAM.
Sifting through the prosthetic memory of our contemporary time, the ADDPM Programme aims to scale a collective human legacy. The current epoch floats in a sea uninfluenced by logic, one so large that it almost cannot be seen.
No longer is there a distinction between virtual fantasy and political reality, archaic ritual or radical subversion, pop culture or fringe knowledge. This is the opposite of hierarchy. This is emotional contagion. This is a mountain of cultural recollections smashed into a level plain. While its embrace is boundless and panoramic, it is also unconditionally subjective in what it deems relevant.
The ADDPM Programme presents a perspective on the cultural and cognitive flattening of human networked recollections through various sensory and emotional expressions. Brief histories of the future, snapshots of the present and prolonged perceptions of the past shape-shift and fuse together to evolve into a collection of encyclopaedic explorations that formulate a taste of our current time.
These records sink into the residue of what it took to arrive at the dawn of the Anthropocene Era and examine its fingerprints, while synchronously shaping a cast of what the future might resemble in the form of a shared fantasy.
This must be the place. This is a safe space.
Nike & Pigalle campaign strategy and art-direction.
Photographer : Thibaut Grevet
A 320-pages macro-exploration of modernity in music,
a book by Ill-Studio and Deewee. Published by General_Index.
Photography with Maxime Verret.
Words by Joel Vacheron
For the Paris launch of "Incomplete Inventory" book, Ill-Studio created an exhibition, hosted at la Cité Gallery, running from December 2019, until the end of January 2020. A party was organised for the occasion at Le Petit Palace club, with 2manydj’s, Bolis Pupul, Future sound of Antwerp and special guest Alexis LeTan.
Scenography with Sebastien Michelini
after party flyer series
Parabola explores the undercurrent relationship between modern standardized productions and Avant-Garde Art forms of the 20th century through their common postmodern lexicon.
The installation emphasizes the interchangeable nature of the vocabulary used by the "Industrial Civilization" of the 20th century and modernist artists such as John Cage, Hans Hofmann, Jean Dubuffet, Ryuichi Sakamoto, Andrei Tarkovsky or Claude Debussy.
Here, the titles of the artists' iconic work become mundane logotypes, diplayed on standardized contemporary artifacts.
Production : Great Co.